TSAI Tsung-han(ツァイ ツォンハン)
- 所属
- 人文社会系
- 職名
- 助教
- ORCID
- 0000-0001-5083-7851
- eメール
- /ED2:]EDF?892?]8ATc_F]EDF<F32]24];A
- 研究分野
英米・英語圏文学 美学・芸術諸学 - 研究キーワード
Twentieth-Century Literature Literature and Music E. M. Forster Global Modernisms - 研究課題
Hearing Lives: Women Writers, Music, and Modernist Autobiografiction 2025-04 -- 2028-03 TSAI Tsung-Han 日本学術振興会/基盤研究(C)/ 4,160,000円 冷戦期東ユーラシア文化外交と英米文学のジオポリティックス 2024-04 -- 2028-03 吉原 ゆかり 日本学術振興会/基盤研究(A)/ 47,970,000円 Chopin in Dorothy Richardson's Pilgrimage: Politics, Time, Genre 2022-07 -- 2023-06 TSAI Tsung-Han NSTC, Taiwan/ - 職歴
2012-09 -- 2014-12 University of St Andrews 2020-09 -- 2023-07 National Kaohsiung Normal University 2023-08 -- (現在) University of Tsukuba - 学歴
2002-09 -- 2006-06 National Taiwan University Department of Foreign Languages and Literatures 2008-09 -- 2009-08 King's College London Department of English 2009-09 -- 2013-12 University of St Andrews School of English - 取得学位
2014-06 PhD University of St Andrews - 所属学協会
-- (現在) English and American Literature Association, Taiwan -- (現在) British Association of Modernist Studies -- (現在) Modernist Studies in Asia Network -- (現在) International E. M. Forster Society - 受賞
2023-08 吳大猷先生紀念獎 - 論文
- Music as Queering in E. M. Forster’s Goldsworthy Lowes Dickinson
Tsai Tsung-han
Music & Letters/99(1)/pp.1-15, 2018 - “Worse than irritated—namely, insecure”: Forster at Bayreuth
Tsai Tsung-han
Forum for Modern Language Studies/50(4)/pp.466-481, 2014-9
- Music as Queering in E. M. Forster’s Goldsworthy Lowes Dickinson
- 著書
- E. M. Forster and Music
Tsai Tsung-han
Cambridge University Press, 2021-05 - Introduction: Maurice through Time
Tsai Tsung-han
Twenty-First-Century Readings of E. M. Forster's 'Maurice'/Liverpool University Press/pp.1-21, 2020-05 - Twenty-First-Century Readings of E. M. Forster's 'Maurice'
Tsai Tsung-han
Twenty-First-Century Readings of E. M. Forster's 'Maurice'/Liverpool University Press, 2020-05 - The “Appassionata” Sonata in A Diary for Timothy
Tsai Tsung-han
Soundings: Documentary Film and the Listening Experience/University of Huddersfield Press, 2018-07
- E. M. Forster and Music
- 会議発表等
- “The lovely promise that seemed to be given by the music”: Music and Simultaneity in Black Lamb and Grey Falcon’
TSAI Tsung-han
Global Modernism and Simultaneity/2024-09-14--2024-09-15 - Junzaburō Nishiwaki’s Edition of Dorothy Richardson’s Pointed Roofs
TSAI Tsung-han
Borders, Margins, Cartographies: Transnational Modernist Women’s Writing/2024-10-04--2024-10-05 - The Presence of “Black” Singing in Dorothy Richardson’s Pilgrimage
TSAI Tsung-han
Ephemeral Modernisms (the 2024 British Association of Modernist Studies conference)/2024-06-27--2024-06-29 - Which India? Whose Passage? The New Translation of A Passage to India in Taiwan
TSAI Tsung-han
A Passage to India – Centenary Revaluations/2024-06-24--2024-06-26 - Microfascism in Classrooms? The Case of Teaching Literatures in English in Higher Education
TSAI Tsung-han
2024 CLAROC Conference ‘Microfascisms’/2024-06-01 - A Passage to India in Taiwan: Translation, Politics, Modernisms
TSAI Tsung-han
Uses of Modernism/2023-09-20 - Care in Franz Kafka’s Die Verwandlung: Choice, Responsibility, Ethics
Tsai Tsung-han
Mapping Care: Imaginations, Pratices, and Theories/2023-10-14 - Dorothy Richardson and the Reception of Chopin
Tsai Tsung-han
Sounding Modernism/2023-06-22--2023-06-23 - “He keeps people alive”: War, Medical Ethics, and Crime in E. M. Forster’s “Dr Woolacott”
Tsai Tsung-han
Captivating Criminality 9: Intersections of Crime and Gothic/2023-03-02--2023-03-04 - “As if in answer”: Music as Queer Hospitality in Dorothy Richardson’s Pilgrimage
Tsai Tsung-han
2022 EALA International Conference/2022-10-29--2022-10-29 - Revisiting Gregor’s Family in Franz Kafka’s Die Verwandlung, or shall we be happy for them in the end?
Tsai Tsung-han
Hopeful Modernisms/2022-06-23--2022-06-25 - The Many Olive Fremstads in Twentieth-Century Auto/biografiction
Tsai Tsung-han
Acoustic Text/2021-10-02--2021-10-02 - “A movement of return”: Music and the Art of Retrospection in Dorothy Richardson’s Pilgrimage
Tsai Tsung-han
Modernism and Multiple Temperalities/2019-09-12--2019-09-14 - “If career it can be called”: Forster’s Resistance to Wildean Fame
Tsai Tsung-han
Queer Celebrity/2019-06-06--2019-06-07 - “Music that was now tingling to her fingertips”: Music as Queer Flirtations in Dorothy Richardson’s Pilgrimage,
Tsai Tsung-han
Queer Modernism iii/2019-04-25--2019-04-26 - Forster as Music Critic
Tsai Tsung-han
End Games and Emotions. The Sense of Ending in Modern Literature and Art/2017-08-15--2017-08-18 - “Face him defiantly, with no repressing awe”: Music in Rosalind Murray’s The Leading Note
Tsai Tsung-han
Modernist Life/2017-06-29--2017-07-01 - The “Appassionata” Sonata in A Diary for Timothy
Tsai Tsung-han
Sound and Music in Documentary Film/2017-02-23--2017-02-24 - Dentistry and the Body of the Woman Professional in John Steinbeck’s The Wayward Bus
Tsai Tsung-han
Modernist Work/2016-03-29--2016-03-31 - Risley in Maurice: Forster, Wilde, Tchaikovsky
Tsai Tsung-han
Aestheticism and Decadence in the Age of Modernism: 1895 to 1945/2015-04-17--2015-04-18 - “And perhaps it only could be done through music”: The Role of Music in E. M. Forster’s Goldsworthy Lowes Dickinson
Tsai Tsung-han
Modernist Musics and Political Aesthetics/2015-04-08--2015-04-10 - The Enchanted and the Mundane: “The Celestial Omnibus” and its Afterlife
Tsai Tsung-han
Enchanted Edwardians/2015-03-30--2015-03-31
- “The lovely promise that seemed to be given by the music”: Music and Simultaneity in Black Lamb and Grey Falcon’
- 担当授業科目
2024-04 -- 2024-07 英語圏文学文化研究(1A) 筑波大学 2024-04 -- 2024-07 専門英語I-A 筑波大学 2024-10 -- 2024-12 英語圏文学・文化研究 V 筑波大学 2024-09 -- 2024-09 専門英語II-3 筑波大学 2024-10 -- 2025-02 文学研究演習B 筑波大学 2024-04 -- 2024-07 英米・ヨーロッパ領域卒業論文基礎演習I 筑波大学 2024-04 -- 2024-07 ジェンダー研究特講 筑波大学 2024-10 -- 2024-12 英語圏文学文化研究(1B) 筑波大学 2024-04 -- 2024-08 文学研究演習A 筑波大学 2024-04 -- 2024-07 英語圏文学・文化研究IV 筑波大学 さらに表示... - 授業以外の教育活動
2022-12 -- 2022-12 Continuing Education: Student Recruitment National Kaohsiung Normal University 2011-09 -- 2011-09 How to Conduct Archival Research: Speaker University of St Andrews - 一般講演
- Anglophone Literary Studies in Taiwan: Why do we study foreign languages and literatures?
TSAI Tsung-han
Department of Foreign Languages and Literature, Tsukuba-NCKU Faculty Exchange/2025-03-24 - Student Participation and Speaking Anxiety in EMI Courses: Perspectives from Japan and Taiwan
TSAI Tsung-han
Department of Foreign Languages and Literature, Tsukuba-NCKU Faculty Exchange/2025-03-17 - The Availability of E. M. Forster’s Maurice: Aspects, Approaches, Afterlives
TSAI Tsung-han
Invited Lecture organized by the Department of English, Faculty of Arts, Chulalongkorn University/2024-08-21
- Anglophone Literary Studies in Taiwan: Why do we study foreign languages and literatures?
- 学協会等委員
2025-01 -- (現在) PMLA Manuscript reviewer 2024-08 -- (現在) English Studies Manuscript reviewer 2023-06 -- (現在) International Journal of English Studies Manuscript reviewer 2018-06 -- 2020-02 Forster 2020 Conference Advisory Board Member 2012-04 -- 2012-11 E. M. Forster's Maurice: A Centenary Conference Conference Organizer
(最終更新日: 2025-04-13)